Archive | May 2016

Sex: Part One

For too long, the SJWs have told us nonsense such as “gender is a social construct” and other crap of this sort.

Well, sorry stupid people, but you are going to be disappointed.

To begin, “gender” is a linguistic term in reference to nouns. Whereas “sex” is about sexuality. So, you “gender” people make you sound either evil, stupid, or liars, pick two.

There are only two sexes. Period. And it, generally determined by the Twenty-Third pair of chromosomes. Now, I do admit that there are a very small percentage of mutants with that 23rd chromosome of x, xxx, xyy, xxy, and xxyy. However, these mutants do not have an indeterminate sex,

  • a person with a single x chromosome (known as turner syndrome) is a female,
  • the xxx (known Triple X syndrome, triplo-X, trisomy X, XXX syndrome, 47,XXX aneuploidy) is a female,
  • the xyy (known as 47,xyy) is male,
  • the xxy (known as Kilnefelter syndrome or 47,xxy) is male, and
  • the xxyy (known as 48,xxyy syndrome) is male.

You can use, or some other search engine and find the relevant facts on {}.

So, all this crap I have been hearing that sex is a social construct is pure, unadulterated, shit. It is something used by the dreaded Social Justice Warriors to have something to complain about. But it lacks no merit, no evidence, nor any scientific evidence.

A man is a man, and a woman is a woman. And if a man “feels” like a woman, of if a woman “feels” like a man, that is, a “transgendered” person, is a person with a serious mental illness. And the worst thing you can do is to encourage that mental illness.

For those of you who disagree with what I have said, I would suggest that you point your browser to: and read some of the entries.

So, in essence, do not encourage mental illness, please.


Music (Symphonies): Part One

I like music. I am constantly listening to music in my apartment, except when I am watching a movie.

I like some Heavy Metal, Rock, Folk Music, Jazz, The Blues, Alternative music, Baroque, and Romantic music. However, I do not like genres, I like artists.

I have a complaint that I have had for about the past 20-30 years. Specifically, I have some modern renditions of Beethoven’s symphonies. In particular, the Ninth symphony. Someone, for some reason, the classical four-movement ninth symphony is now a five-movement piece of music, with the break in the middle of the, former, fourth movement.

I don’t care if some conductor “thinks” that it forms a more natural break, when Beethoven wrote the piece, it made sense to him. Who has the gall to claim that the composer knows more about the natural progression of the symphony that the man who wrote the piece of music in the first place.¬†And, over the past years, I have only seen the Ninth Symphony with five movements rather than four movements.

In addition, the symphony is traditionally a four-movement piece of music, so the conductor is also breaking with the traditional symphony. And for what reason? And, more recently, I have seen a five-movement Beethoven’s Sixth Symphony. In my opinion, this is a tragedy. The old masters, who have survived for several hundred years, are being ruined.


A few years ago, I had the displeasure of hearing a ruined rendition of the Beethoven’s Ninth Symphony in Salt Lake City, Utah. This disappointment was as follows. There was a break between every movement. I have seen this piece of music several times in the past, and while the piece had four movements, the entirety of the music was a single continuous work, without a pause. However, in Salt Lake City, there were pauses of at least a whole minute between the first and second movements and between the third and fourth movement, and a ten minute pause between the second and the third movement.

Who the hell does this?

For me, the symphony had been ruined because of these damnable pauses. If a symphony cannot play the whole piece in entirety without a break, they are not true musicians. This symphony should fire the people who cannot play a single work without three breaks, since this is the way the music was written to be played.




After my second divorce, in 2013, as a result of my stroke in 2011, I figured that I was entirely done with women except on a superficial level. However, in February or March of 2016, I had met an unusual woman.

The term “NAWALT” (an acronym meaning “Not All Women Are Like That”) is a thing that may or may not exist. It is like the unicorn, it is a very rare women who intentionally ignores or overrides her hypergamous nature.

Now, this woman of which I speak may be a NAWALT. I don’t know. We have gone for walks with each other, we have drank coffee on occasions, we have even gone out to eat with each other. And in every event, aside from our walks, she has always paid her own way.

She would not allow me to pay for her meals or coffee. At all.

That makes this woman a very rare woman.

And while all men with any brain would willingly die for this woman, since she pays her own way, is stunningly beautiful, and is built perfectly. I have sadly come to the conclusion that we are not compatible.

Yes, I have stopped pursuing the perfect woman because of our differences in politics, movie preferences, music preferences, book preferences, and some other minor differences.

Perhaps, in time, we can become friends, by my definition of a friend, but we can never be more than that. I was hopeful, and I was under the delusion that I could change myself to measure up to her. But, as I have said, that is a delusion.

But, I have saved myself from having a relationship that could go bad. It was a brief fantasy, but reality reasserted itself and I know that we could not work.

And so, I regain who I am. I regain my true nature. And I go through life, as usual, yet again.

But it was still a good fantasy for a short while.


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